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Well done for trying, Allison. If you’re still hesitant then your results will reflect that – naturally. So do it in ‘baby steps’.
Try first to soften the arms and drop the head back and then just hang out there for a little while (maybe even a few classes). Get comfortable. Just try gently pushing the hips forward a touch.
Come back and tell me how you go
Namaste
Gabrielle 🙂in reply to: My Flight Across the Country #11208Hi Jim
Wow! Thank you for the fantastic story. It’s amazing that a single moment in your life, was such a defining one.
Thank you for taking the time to share it with us.
Namaste
Gabrielle 🙂PS: Welcome to the forum!
Hello Allison,
This is super easy to fix. When you come up from your left hand side Half Moon:>> Bend your arms a little. This will soften your neck. The arms only need bend enough to feel your shoulders move down and your neck lengthen. You can feel how everything is free there. Waiver: If you have a sore neck then you will need to tell me so we can work on that because other contingencies apply.
>> Keep your arms bent while you drop your backwards.
>> Look backward. The tendency for people who have issues with this pose is to look at the ceiling or the hands, or worst of all – and because of fear – forward. This strains the neck.
>> When your head is safely back and you are looking in the right direction (!) first make sure legs are locked, then push the hips forward, then inhale and lengthen your torso and lengthen the arms (still with head back).
>> Then go into your backbend as you exhale.While you’re going into and while you’re in the pose you will visualise tracing that line backward across the ceiling with your fingers. Where many get caught is by following the fingers with their eyes. Just imagine those fingers tracing that arc as you look backward (not up).
When you’ve managed to go back as far as you can and you feel any resistance in the neck, simply stop, bend the arms for a moment as you feel your neck relax again, lengthen the arms gently and continue on your path.
Come back and tell the world you did it! Hehehe :cheese:
Namaste
Gabrielle 🙂Hi Allison
Would you be willing to give me more information? What are you feeling and when? Also, I know this is likely to be a certain issue, but I like you to be clear on what is going on. I also am sure it’s been answered at least on several occasions on the forum. If my suspicions are correct, then in the meantime, I will hunt out what I recall to have the best step by step instructions and get the link for you.
Things to look out for are where you’re feeling tension (neck, upper back, shoulders, arms), what your breathing is like, at what point are you bringing yourself out of the pose. Where you are looking. Where your arms are positioned in relation to your head. Stuff like that!
Namaste
Gabrielle 🙂in reply to: red throat and chest #11204Hi Rob
Thanks for being patient! 😉 So, there is a point in that dialog where they tell you to inhale and then “hold it” while you are there with arms over your head. The best thing you can do is to not hold your breath in this circumstance. Inhale (and perhaps in this case) you need to take a slower inhale breath so that by the time you’re hearing the words “hold it” you are finishing your inhale and ready to commence your exhale, just as you start to stretch your body over to the side. Please let me know the results of that.
The thing I have to ask you is this: When you are breathing in Pranayama, are you making that singing noise in your throat, or some kind of vocal sound? Is it just the sound of rushing air or has it got a note?
Finally, (for today anyhoo!) would you also try this for me? When you are breathing in Pranayama, and particularly for the inhales, keep those shoulders down and back in a relaxed position. Only bring those arms up as far as you can with those shoulders down. The temptation is to get the arms as close to the head as possible. If the shoulders raise up one little bit you are actually causing real physical AND physiological impediments to breathing. You simply will NOT be able to breathe as deeply. The why and how takes some explanation but for best ease i believe just knowing what to look for, the practical approach with a physical thing to look for is a better approach. Feel for tension, avoid it if it happens. Your arms may very well be at a V instead of in an H, (hope that was a reasonable visualisation) but more importantly, your neck will feel long. Your breath will feel more free.
If you own my book, or for anyone reading here does, then just this specific issue for these poses is dealt with on pages 43, 64 (Pranayama) and 74 (Half Moon). All this pages have comparative photos of poor and corrected technique. This is a common recurrent problem with many poses so it’s a translatable skill that will yield great results elsewhere.
Dial into your sensations in your neck and shoulders. If your shoulders rise that’s not good. If your chin drops that is equally just as bad.
Looking forward to hearing of your progress. Please get back to me with the sound you’re making in Pranayama.
Namaste
Gabrielle 🙂Hello again energyup
So, you exercise elsewhere. It seems you don’t have any problems other than to those related to exercising in the hot room. Please correct me if I am wrong. If you every feel any of these symptoms at any other time – other than when you’re in the room – then please say so.
I think that if it is only happening in relation to the hot room then there are a few things to look at:
Hydration
Electrolytes
Heat
The poses themselvesIf, as you say, you only get this problem when the room is heated then I would check out Dr Google for these 2 conditions: Hyponatremia and Heat exhaustion. Both of them have a little overlap and whether or not it is either of these things, it’s worth familiarising yourself with the lists.
You report that the temperature is 90 degrees at your studio. Well it might be that temperature but it is probably not IF: it is a standalone thermometer. If it is just a device that sits on a table then it is only measuring the temperature at the thermometer’s location and that’s it. [BTW it’s very common for studios to be far hotter than temperature readouts.]
If that is a readout of a thermometer that say, has a couple of sensors through the room and feeding an average back to the display then you may in fact get something closer to reality. For the moment let’s just assume it’s not wired in. If that’s true then the temperature is not 90 and it could be higher or lower. Given that you do hot yoga, it’s possible it’s higher.
Do you sweat, do others sweat in class? Do you have to take breaks during the poses, and do you see others having to take breaks?
Now, everybody knows that when you sweat you lose fluid but you also lose electrolytes. These must be replenished (sea salt, powders, tablets, etc). If one only takes water then one can end up with a low salt condition called hyponatremia (hence your research!).
I might suggest making sure you drink water with a pinch of sea salt in it (and a few drops lemon juice if you need some flavour) – during class. The effect can be (and is for me) instantly refreshing.
It might be worthwhile taking electrolytes (salt or other forms) in all the water you drink through the day. Perhaps, since you seem to suggest you don’t drink enough, get yourself a 1 or 1.5 2 liter bottle and drink from it throughout the day making sure you drink a minimum of 2-2.5 litres. Make sure you drink as you need to in class (between poses not during!). A common problem is not knowing how much is being taken, so to know you have to drink 2 and a half 1 litre bottles for example, can take the pressure off or at least make it easier to gauge.
You also suggest that you could pay a little more attention to breathing: Breathe! All poses! Flowing breath, no holding it (except in Pranayama if you can’t keep breathing in for the duration of one inhale (or exhale) ). I don’t think it is causing your problem but I think that better breath control can stand you in better stead.
Let me know what you think as you ponder and experiment.
Another consideration is that you are of a peri-menopause age and the effects of that with heat can have a potentiating effect. This does not necessarily mean you have to give up the yoga.
Let’s continue on the path of looking at heat, water and salt and move forward from there.
Namaste
Gabrielle 🙂in reply to: Ganglion (Bible) cyst #11202Hi Bunni
😆 I have to admit, I haven’t yet ventured onto YouTube for bible cyst videos, but now you’ve made it a tad tempting.
There does seem to be great potential for practising the Bikram at home especially now that you may have another big(ger) purpose to doing so. If you’ve got the right resources** (audio, or audiovisual), the right mirror* and some adequate heating*** and especially humidification (so that you don’t have to heat as high) then you should have a better chance of enjoying it.
You could think about finding someone else who would practise with you say, once a week or more. And methinks the motivation of helping your wrist may also be a positive factor.
* The mirror doesn’t have to be enormous. How big was the one you were using?
** There are apps and CDs and videos. What were you using?
*** Insulation is essential with fan heaters to hold the heat in the room. I have no personal experience with infra red heaters at home but there is less need for enclosing the space. You can even find ceiling mounted panels that look attractive (plain) and that will heat you directly.Hoping you can get some joy from the situation soon and get rid of your cyst with ease!
Namaste
Gabrielle 🙂Hi energyup!
I know this is going to sound pedantic but I would really like some more information.
So, the thermometer IS the sensor. It’s a standalone gauge. It’s near the heater. Presumably it is placed near the controls of the heater.
1. When you say the thermometer is next to the heater, do you mean it is near the actual heat source, or it is by the control panel of the heater?
2. What kind of heater is in the room? Is it ducted air or infra red panels or maybe underfloor heating (the least likely 😉 )?
3. Is there one sole outlet for the heat or are there are number of outlets?
4. Is the thermometer wall mounted or on the floor? At what height is that ornery thing? :cheese:
5. Just to get your brain thinking otherly: What other activity to you engage in for your exercise?
6. Are you overweight, underweight, or ‘normal’?
7. What is your level of challenge/struggle/ease with the poses themselves? Depending on your answer we could explore some important general principles to assist you!!!
8. What is your breathing capacity like? Does it feel like you can breathe in and keep breathing in? Or do you find it difficult to breathe deeply? How difficult?
I am going to ask more questions after this response, to be sure, so this is enough for now.
May I make a suggestion to tackle each question in turn if that’s OK! I just popped in numbers so that may help you! 😆
Thanks for your responses. I try to avoid coming to conclusions early because otherwise we can follow the ‘wrong clues’.
Namaste
Gabrielle 🙂Hello energyup
Thank you so much for your detailed post. I do have a few questions for you before we go further. I want to know what in the physical environment I have to take into account so … Can you please tell me
>> Where is the thermometer in the room
>> Where are the temperature sensors in the room?
>> Is the temperature sensor the thermometer?
>> How humid is the room? And how do you know? Maybe you can tell me if you do sweat a lot and whether you are feeling hot in the room.Over to you!
Namaste
Gabrielle 🙂in reply to: I only have one kidney… #11195Hello Kimberley
Thank you for posting your interesting question. I think that physical pressure exerted by the movements is likely never to pose a risk with these yoga poses unless you are practising with poor alignment and technique. That is certainly something that I can help you with here and with the resources I provide (of all forms, many of them free!).
I would think that the biggest risk to you is not that of physical pressure but the following issues of:
>> Hydration
>> Replenishment of electrolytes etc for the kidneys metabolism and processing for the body’s needs – problems of hyponatremia
>> Problems with heat exhaustion and the effect on the major systems in the body.Many studios heat the room way too high. Many of the tens of thousands who read this forum regularly are in a chronic state of mild heat exhaustion. This happens because the heat and moisture (combined to be referred to as the Heat Index) create conditions that are too extreme for the body.
I advocate a room heated to body temperature (and possibly a little more) together with middling ranges of moisture. Unfortunately many studios follow the myth, borne from an arbitrary retrospective utterance of the supposedly required temperature for this yoga and have subsequently taken it gospel, that the temperature needs to be 105 degrees F. This is too high and again, I don’t suggest you continually subject yourself to this temperature especially if you are going daily or 5 or more times per week.
There is the chance to recover if you have time between classes of a day or more but consistent regular exposure to high heat is definitely not for everyone. Trouble is you can’t tell who is a candidate who can cope with extra exposure.
I strongly suggest you look up 2 things on the internet. 1) heat exhaustion and 2) hyponatremia. The latter is a condition of low salt (specifically low sodium). Your body has the ability to regulate its levels of salt but ONLY if you give it the salt in the first place. Given you only have one kidney, you would possibly need to compensate. I don’t know enough about one-kidney systems to be definitive at all. You do of course, have one kidney doing the work of two. So you want that work to be easy, stress-free, not out of the ordinary.
But I do know that you don’t die from too much salt (except in rare systemic conditions which you don’t have) but you can die from too little salt. Losing water in sweat and the minerals happens in hot yoga faster than regular sweating. Salt must be replenished. The problem is that mostly it’s just the rehydration that is spoken about. The thing you MUST know as a beginner too (my final point for now) is that during the first 2 weeks of your practice, while your body is acclimatising, you are likely losing more salt than regular students. So please take some sea salt (or electrolyte products) now at this crucial time.
Remember to do your homework. You’ll find the lists of signs and symptoms overlap a fair bit. So it pays to know the kinds of things you should be wary of.
Namaste
Gabrielle 🙂in reply to: Ganglion (Bible) cyst #11194Hi Bunni
Can you clarify for me that it happens when you do your power style poses for which you place all or much of your weight on your hands and wrists but if you rest it doesn’t happen?
You obviously love your yoga and the joy of those upper body strengthening poses that are missing from Bikram and non-power, non-vinyasa styles.
Has there been a time where you only do the static style hot yoga poses and you have consistently enjoyed problem-free conditions in your wrists?
It’s fairly obvious what the conclusions might be from that, but I still think it’s worth clarification and then exploration.
For the sake of completeness, what have you been told, or researched about the surgical method? Cost? Recurrence post-surgery? Time to heal? Rehab? Ability to do any yoga pose afterward?
I know the idea of surgical intervention is unappealing to you but would you consider it if it were the only sustainable option? And by sustainable I mean, that it fixes the problem completely, tiny to no chance of recurrence, allows you to have a completely normal life and the yoga practice of your wishes.
Curious to know the answer to my many varied questions! :cheese:
Namaste
Gabrielle 🙂in reply to: red throat and chest #11189Hi Rob
Can you please tell me if the redness continues anywhere else in the class or occurs in any other time in your life?
How long does the redness take to die down?
What sort of noise are you making when you breathe in Pranayama?
Where are your knuckles/hands in relation to your jaw/throat?
Any neck or shoulder pain in class?
What’s your breathing like? I know I can’t get a sense of your technique yet, but when you breathe in deeply do you get a sense of where your breath is able to reach? Sometimes we get the feeling that breath is mostly moving into and out of the upper chest and the lungs don’t expand much. Other times you can feel the chest expand. Sometimes the chest expands to a point but the bottom of the ribs where the diaphragm is you can feel some resistance. The stomach may distend or not. The breath may feel it doesn’t go past a certain point in your body. I am just giving you some words to perhaps prompt some written descriptions that could help me move in the right direction.
Namaste
Gabrielle 🙂in reply to: Single Set / Double Set #11188Hi Sandra
Some people have given feedback on their heaters in the sections called “Practising at Home or Traveling” and “The Heat”.
Other places you check reviews is always to consult Amazon or Dr Google!
Namaste
Gabrielle 🙂in reply to: Single Set / Double Set #11186Hi Sandra
The most crucial thing is that you are doing the yoga. The heat, while a wonderful addition to the practice, is not the most important thing. Otherwise sitting in the heat would be all we have to do. 😉 Look forward to comparing your practice when the hot weather comes along because there will be a difference.
You might also wish to look into infrared heaters in front of which you can practice. They will heat you rather than the entire space. Could be more efficient for you (and your power consumption) too because it seems right now you could be increasing the heating of your entire home.
By the way, the next most important thing (besides actually doing the yoga) is doing it well with best technique. Depth is kinda irrelevant. It’s a good barometer for how far you’ve progressed – with the following overriding waiver: It’s breathing and alignment that trump depth every single time. So I know you are on the right path. Well done.
Namaste
Gabrielle 🙂in reply to: How do you do double? #11184Funny story! Well, I would love to say informed as to your progress. Have fun
Namaste
Gabrielle 🙂in reply to: Single Set / Double Set #11183Hi Sandra
Sounds to me that you’re doing everything perfectly: Doing what you can in the available time and not making excuses. Yay :cheese:
If you hunt around the forum or talk to other bikram and hot yogis, often the feeling is that if they are not doing double sets than they won’t do anything because they think they have to do the whole lot in 90 minutes or ‘it doesn’t count’.
Well, that’s more likely to be a cultural thing. Doing yoga besides being great exercise, is its own reward. So keep it up.
Do try the double set 60 minute class on DVD Volume 1. It’s enormously satisfying and you get that double dose of poses (which naturally you don’t get in a single set class) which should restore ‘that feeling’ for you.
Regarding the temperature: Are you in a closed space? Which are you using: infrared or convection (or other) heaters? What do you do to increase humidity? Maybe there’s something you can do.
Namaste
Gabrielle 🙂in reply to: How can I engage quadriceps muscles? #11181Hi bunni
Thanks for giving the specifics in your answer to Kanaa. :cheese:
Now as for that locked leg contention:
There are folk out there who think you should never (yes, NEVER) lock your knee. They talk about standing still with legs always bent just a little. Some physios and yoga teachers and more have their opinions on the web.
Here’s where I think the place from which the contention arises. People are mixing up the effects of locking the knee with muscles as opposed to locking the knee joint with little or no muscular involvement. They are also making reference to activities that may involve BOTH knee bending and straightening the knee for the same leg in quick or reasonably quick succession.
When you are reading online about whether others recommend locking, be aware of the CONTEXT within which the recommendations are being made and then compare that to the functional needs of the joint and the muscles. I did go and check on the current hashed, re-hashed and plagiarised nonsense around the web (hehe) and discovered that there is not enough of DEFINING what is meant by locking the knee. It is understood by most as a blanket term with NO distinctions beyond the leg being solid. Very little talk of muscular involvement and no talk of function and dysfunction.
The fact is that I would need quite a lot of space here describing the natural reflexes that are being engaged if you lock your leg out with the wrong activity. Notice I contextualised that because there are contexts and manners in which locking the leg is important. But definitely locking without muscular involvement does nothing for the joint and that usually happens when you’re bearing weight which compounds the potential injurious effects. So don’t just lean on your locked out leg or legs without engaging your muscles that create space in the joint.
A point to emphasise here is that while one talks of lifting the kneecap up with the help of the quadriceps, there are other muscles that will assist. Don’t JUST use the quadriceps. Looking in the mirror you’ll see different muscles activating. You’ll feel them engage and strengthen over time especially some of those laterally activating bellies.
Many people confuse the action of locking (without muscles) with the notion of balance creation. Stacking joints and possibly leaning into the leg. Again, wrong. Don’t do it. Make it an active mechanism and don’t do it if it goes against your natural reflexes. Balance itself is extremely complex and there is a lot going on that defies normal disseminated opinion. Eg, how many times have you heard from your own B yoga teachers that if you lock out your muscles on the front side of your leg, then the muscles on the other side completely relax. Well, is that the case when you’re standing? If it were, then I would be able to push you over with a feather! 😉
So be really clear on what you’re researching, or being told so that you can define the terminology because it appears to me that important benefits can be being lost because of the application of a legitimate problem (say, to avoid locking the leg at the end of a squat) and generalising it out to all functions in every body in all circumstances. Not feasible and not helpful either.
Here’s an example to illustrate what one of your natural reflexes does. You can conceivably lock your legs when you’re walking. Get up and lock your legs as you walk. After you plant your forward foot, you can lock the leg (remember to ALSO use your muscles) and you COULD keep it locked until you lift your now back foot off to start the next forward cycle. But notice how when you land your foot your leg naturally bends. It’s a reflex. A protective reflex. It’s the same reflexes that cause your legs to bend when you land from a jump. This is not an indication that you should never lock your leg. Try the exercise again and keep the leg locked the whole time! Haha! That feels awful. You won’t want to do THAT again. You feel like you’re jamming your joints – and you are.
In Bikram and hot yoga, we talk about locking the knee in static poses or where you reach a point in the pose where the leg is then locked for a period of time from seconds up to a minute. Standing poses such as Head to Knee or Bow you lock that supporting leg for the duration. We are not doing squats or lifting weights or walking or doing things in a dysfunctional way. Yes it’s not normal to stand on one leg for 60 seconds but it’s an asana. If we were talking Vinyasa or Power yoga styles the answer would evolve to make considerations for the type of non-static or dynamic poses. Of course you can imagine yourself locking the legs in downward facing dog, for example.
You wouldn’t stand still for ages with locked or unlocked legs. My daughter fainted on stage at a rehearsal, after standing for ages. I doubt her legs were locked out with her muscles. But she was standing still so her leg bones could have been locked. We won’t be sure on that one. Hot lights? Needing hydration? Tired? Unwell? The main point is that with yoga we’re talking about intermittent locking in a functional way.
Phew! 😛 I didn’t envisage talking so long about that.
Namaste
Gabrielle 🙂in reply to: How do you do double? #11179You’re very welcome, tashacricket
It’s good to feel the effects of a more holistic approach to yoga and still get the opportunity to reach and even exceed your own expectations or goals and give yourself much needed rest.
One of the things that I have done and recommended has been this: In order to give yourself the illusion of a day off, do a class in the morning of one day, and do an evening or late class of the next. It actually feels like 2 whole days to yourself. Try it.
Namaste
Gabrielle 🙂in reply to: How do you do double? #11177Hi tashacricket
Welcome to the forum! There are thankfully loads of posts that answer the questions you have asked that can already be found on the forum. Have you taken a look at using the search facility up the top? You can type in the word challenge and see which relevant threads come up.
In a nutshell:
Commit to 6 classes per week. Never 7. (That’s NOT to say you can’t do 7.) The commitment to 6 classes allows you to take a day off when you decide AT THE TIME, IN THE MOMENT, that you need to take a day off. This is yoga, not a competition, not a sport. The whole ideology of ‘listening to your body’ can be thrown right out of the window if you decide to ‘power through’ an issue you have that is harming you. Those issues most commonly include heat exhaustion, back aches, shoulder and neck aches, sciatica to name a few. These issues rear their ugly head time and time again for the people who have the artificial goal of simply doing 30 classes in 30 days.Bikram NEVER said to do 30 classes in a row. He said to do 6 days a week and rest one day a week. Somehow this has morphed into a ridiculous commitment of 30 that somehow has the rule that one should do doubles on days to make up for lost classes. I know there is damage being done by the sheer mass of people who come here complaining about aches and pains and exhaustion (heat and physical) due to relentless practice.
Practise YOGA and take a day off. Allow your body to rest and recover (a real NEED not just a whimsy).
NOW, you CAN actually practise EVERY DAY if you really want to. But ONLY do it, if you get to your day off (or any day!) and you can say to yourself that could be something such as, “Yep, I am ready, my body and mind are feeling fine and I can sense I don’t need a day off” then go. Give yourself the opportunity to be in the moment and work out what you need.
You’ll know whether your mind is sabotaging your efforts if you find yourself making excuses. Equally if there are no excuses and you assess at that moment that you could possibly do a second class on that day (whether it is a back-to-back or other) then go with that feeling. Just don’t PLAN those specifically. Allow yourself the possibility to practise a second time and be prepared by having a second towel ready, or water, or extra yoga gear so that you don’t have any impediments and it’s an EASY decision to make and is not made out of obligation to a non-sustainable artificial or unrealistic goal.
I have never changed into dry clothes for a back-to-back but I have used a clean towel if the first one was too wet. But drink as needed (that’s a given).
My recommendations are to allow yourself to retro-morph 😉 your 30 day challenge back into a 6 times per week challenge so that you’re practising somewhere from 25-6 classes to 30 (and possibly more) over the 30 days (and possibly 30 days straight). Lock yourself into more infinite possibilities and limit your personal risk (personal, physical) and really practise yoga!
Namaste
Gabrielle 🙂in reply to: Selling my Yoga Studio to Pursue ‘Other' Dream #11176Hi Kini Yogini
If there’s one thing I have learned, it is to stack the cards in your favour. Your business is worth what it’s worth and you need to advertise it to the widest qualified audience.
I have found that ‘secret sales’ ALWAYS get out there. You see, once somebody does talk to the broker, then people will know. They won’t be signing confidentiality agreements (will they?). Do any or all of your staff members know?
It’s better for people to talk openly about it than have hushed tones behind their hands. It’s better to paint a positive picture. Besides, depending on your own timetable to move, you could still be involved in the running of your business until it is sold. You may not be able or wanting to move til it’s sold. It’s not clear from your post.
I have definitely experienced the rumour mill and even underhanded tactics of nearby business owners who somehow see things like this as a way to sabotage the process. It is possible you are feeling vulnerable about that. Maybe if you voice here what you’re thinking and feeling on that count, then you will be able to determine if those fears are a real threat or if indeed there is another way to go about advertising.
I think that coming clean with your intention to sell (IF that question comes up from your students) is part of the process. My guess is that you’ll be pleasantly surprised by the show of support from your community to pursue your dreams.
There are thousands of cases of businesses being sold by people who are the heart of the business, and who sell it to a passionate person who wants to make it an equal or better success.
I don’t believe that your students will desert you because of your decision. They’re likely to stay especially if you have systems set in place that cater to the clientele, and if the culture that you have lovingly created over the past 15 years is maintained.
I am not sure if you have documented all your systems, but that is definitely something that will make your business much more attractive. (Do let me know.) It could even allow one or more of your current teachers to (re-)consider the options for themselves (whether continuing work or even buying an interest in the asset). The business would then become a ‘turn-key operation’ and even yield a better price.
Namaste
Gabrielle 🙂in reply to: Knee shifting during poses #11174Hi Stacy
A few more questions for you:
1 > Would you please explain exactly what you mean when you say you are “compensating into my hip on the single leg postures”? A few ideas: Are you leaning into that standing leg and hip to take the weight off the hip? Are you bending the leg? Something else to compensate? Do you avoid locking your knee?
2 > Are you practising at home only? Or do you also practise at a studio?
3 > How many times do you practise per week?
4 > Are you talking about both the separate leg postures – the intense stretch one and the head to knee one? When is that pose or those poses giving you that vulnerable feeling? Ie what are you doing at that moment? For your intense stretch pose are you locking out your legs, or are they bent, or are they straight and not locked, while you are trying to get your head to the floor? For the head to knee pose do you have your hands in prayer in front of your foot or not?Stacy, it’s been less than a week since I gave you a couple of ideas for your practice. Please continue as suggested to give your knees a chance to recuperate.
With Final Twist you can extend the lower leg out in front of you. Then bend up the other leg with the foot flat on the floor to the outside of that lower leg. If you feel anything untoward in your upper knee, just slide the foot an inch or 2 further away from your hips. Grab the outside of your straight leg with a long arm, wherever your arm reaches to (not necessarily the knee itself).
Namaste
Gabrielle 🙂in reply to: How can I engage quadriceps muscles? #11171Hi Kanaa
Your question is an interesting one because in a round about way you have answered it already. In order to protect / create space in your knee joint and create the stability in these poses you are supposed to engage your quadriceps to pull your knee cap upwards. The only way you can do that to full expression is to straighten the leg first.
So I am wondering whether the question you are really asking is, does one need to bend the leg to protect the knee, or is it better to straighten it?
There is much contention about the straight or bent knee stance with respect to the affect on the knee.
I would like to hear your beliefs and anyone else ‘out there’ who would like to chime in.
Namaste
Gabrielle 🙂in reply to: Knee shifting during poses #11170Hi Stacy
That’s a shame that you feel that your knees are feeling worse for wear at the moment. I think there are some things that you can do to consolidate the strength and good use in your knees. You of course will have to monitor these things.
First thing that you will find obvious to avoid at least for now and until your knees improve are the twisting poses.
The obvious ones are those that you mention in your post: Suptavajrasana and Tadasana (Fixed Firm and Tree)
Of course you don’t want to just do nothing so here are the things you can do in their place:
[strong]
Suptavajrasana:[/strong] Sit in a classic kneeling position with knees, heels and toes aligned. Sit up straight and just rest your hands on your knees or thighs with relaxed shoulders (down and back). Do let me know if you are unable to rest in this position and I will give more details.I do have photos of this and other mistakes and problems and how to fix them in Hot Yoga MasterClass. So if you happen to know somebody with the manual then take a look at page 238.
For first set just sit there. IF you feel like it, (and only if you feel that you don’t get this stretch anywhere else, because you may indeed get this stretch in Camel) you can lean back on your hands (situated behind you on the floor) but ONLY IF you can keep your bottom on your feet. However I would suggest spend a couple of weeks just sitting upright for both sets in this knee-restorative position.
[strong]Tadasana:[/strong] Don’t bring your foot onto your opposite hip. While we’re at it, don’t do Toe Stand either.
Have you seen the other type of tree pose where people bring their foot to the inside of the standing thigh? You can definitely try that. Don’t put pressure against the standing knee itself. Either go below or above the knee. Work on your alignment of your symmetrically open hips. Work on lifting up from the standing foot so that you avoid pronating (collapsing) your ankle.
[strong]Check into the following poses too.[/strong] You didn’t mention these but I ask you to be very mindful in your next classes and do a couple of experiments.
Eagle: I would possibly NOT hook the toes around the back of the standing calf muscle. Test the knee out with this pose.
I would like to know if you have a straight back AND straight legs in Sep Leg Intense Stretch or whether your back is rounded.
Final Twist: Is everything ok here? At the moment it could be an idea to test the feeling of extending the leg out in front of you (at 12 o’clock) until your knees feel better. As I am saying above, it may not be necessary.
Let me know if there are other poses that pose (!) other niggling issues. 😉
Namaste
Gabrielle 🙂in reply to: No wrist/elbow pain and trouble lifting legs up #11168Hi Rebecca
I ask that question because the scripted dialog can be misleading. If you are following the words rather than the intent of the pose then you will find that the position of your arms and how you got them there will work against you. The dialog really only gives cues to people who already know how to do the poses and is full of ambiguities. This is why most people have to learn Bikram method yoga by watching other students in class (that’s why studios insist on newbies going to the back) or by muddling through it.
This is why I was asking for the specifics of what you do. Please go and take a look at this recent thread on Locust and this other thread too. Each of them has detail on what you should most definitely do your best at perfecting over the next number of classes.
You really shouldn’t be feeling pain in any poses (I do note you said you’re not feeling any in this pose!). It is certainly possible to feel some discomfort because it is not comfortable having one’s arms under one’s hips like that but please read more threads on Locust in this forum if you are indeed feeling any pain in any pose. Obviously no problem with this pose though! Yay.
When you follow the directions that I give you in Locust on the other threads (which you will find instruction on more than just the 2 threads above) you will find that the instruction to shift your weight is completely unnecessary if you are placing your arms and shoulders correctly. The waiver that might make things difficult is for people with large breasts.
Please come back and tell me if you need more specifics on how to place your arms
Namaste
Gabrielle 🙂in reply to: locust pose #11164Hi Willie
Yikes, forgot to respond!! I hope I can make amends.
Arms are under belly and little fingers touching as per dialog can be one of your problems. Possibly your main problem.
>> Usually is when we look at people having issues with this pose. What you will find when you look at the Salabhasana threads on this forum is that I strongly suggest you externally rotate the arms instead of rolling them in under you to get them to touch. Externally rotating the upper arms seats the shoulders in a more effective way. It will have your arms landing underneath you at the same time as positioning your shoulders further apart and forming the crucial platform across the chest against which you will find lift. You will be able to ground the area effectively by using your arms and the lift will become easier.With the use of your arms, your hands, your fingers:
>> Rather than pressing fingers into the mat, try pressing your arms and shoulder/chest platform into the mat. It IS different to what you are doing. Shifting the weight is not this conscious rolling movement to the front. It’s more that you focus on using the leverage in your arms and not your hands. Your arms end at your shoulders and the shoulders are spread outward.If you have my book to refer to then take a look at the photos on the bottom of page 217 because they show on the left what most people do, and then how you should look with your shoulders and arms effectively placed for best leverage (in the right image).
Shoulders on the ground:
>> Aim for that solid platform from shoulder through chest to other shoulder.A common mistake is to just lift the single legs up because it’s pretty darn easy to do that. However, what I always suggest is that you use the single leg lifts as a technique check on the double leg lift. PRESS the hands and arms into the floor even for the single leg lift. Also you’ll find that you really can remove the use of the non-lifting leg from the equation and only activate the lifting leg. Without using your arms you will be involving the other leg.
Using your breath
The breath is a mystery for you here so then Willie I suggest for the single leg lift use an inhale to lift your leg. Keep breathing and lower the leg on the exhale.For the double leg lift inhale as you squeeze the bottom and lock the legs and point the toes and start to press your arms and hands and shoulders into the floor. That’s the set-up on the inhale so then consolidate the position and EXHALE TO LIFT. The action will help you to activate your core and focus your energies to lift much more easily. Let the legs stay straight and long no matter what. Don’t worry if it’s not high. The main thing is to work on the technique and lift. They’ll get higher over time. Don’t be surprised that with the new focus on technique that for the first time you don’t go as high. You may very well have been compensating for poor body geometry and leverage points by bending and rocking up your legs. It’s very common.
I hope the detail makes up for the tardiness of my reply! 😉
Namaste
Gabrielle 🙂 -
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