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Viewing 9 posts - 1 through 9 (of 9 total)
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  • slipper12
    Participant
    Post count: 12
    in reply to: Lock the Knee #3153

    thanks gabrielle,
    you always know how to explain everything so well. your response helps a lot.

    thanks for all that you do,
    susan

    slipper12
    Participant
    Post count: 12

    hi gabrielle,
    i took your advice and tried flatening out my shoulders, and managed to get more of my upper body to press into the floor. it made a HUGE difference. doing the posture this way, i realized how weak my forearms are, and how much they are needed to delve deeper into this pose.

    I have recently been diagnosed with having slight carpal tunnel in my left hand, which exlains why my fingers are so stiff and tight. and now, after doing this posture using your instructions, i realize that not only are my fingers weak and inflexible, but so are my wrists and forearms. i have a lot of work to do, but i am so happy I was finally able to pinpoint my weaknesses so i can heal my body. thank you sooooo much.

    thank you for all that you do,
    susan

    slipper12
    Participant
    Post count: 12
    in reply to: Lock the Knee #3099

    hi gabrielle,
    i was just wondering if you had any more information on exactly what happens when you “lock the knee” into place. I have heard some teachers say that unless you lock the knee, your bones are grinding on each other, which will eventually lead to serious injury. is this true? when you lock the knee are you actually lifting the knee cap up so that it is supported by muscle? if so, what muscles are used? what actually does happen if you do not lock the knee?

    thanks!
    susan

    slipper12
    Participant
    Post count: 12

    thanks gabrielle, I will use your advice when I practice later this afternoon, and will get back you.

    susan

    slipper12
    Participant
    Post count: 12

    thank you! what a great response. I have heard different instructions from different teachers. some say that you “have to bring your hips down to get the benefits of the posture,” and others will say “it is more important to stay up high on the toes, than to bring the hips down.” thank you for the clarification. I used your advice last night while teaching, and some of the students told me after class that they could feel a huge difference in the opening of their ankles and the necessity to build strenth in the toes.

    slipper12
    Participant
    Post count: 12

    hello again,
    this posture confuses me. the single legs are fine, but bringing both legs up together has always been a big challenge. I have never been able to lift my legs up off the floor more than probably about a foot or so. I am aware that this posture is meant to strenghten the middle, upper back, but I always feel a tightness in the very top of my hamstrings, rather than feeling any sort of engaging or strengthening of the back muscles. I am not sure I have my hands in the right location either. I am able to bring my hands side by side underneath my body in between my hip bones, but when I slide them closer down to my knees, as the dialouge instructs us to do, this makes the posture even more challenging. I have played around with various hand positions, some work a bit better than the others, but nothing too significant. I would thikn that you would want to put your hands directly underneath your hips. As the legs go above parallel and start to come up toward the head, it appears that the body hinges from the hips, meaning the legs are coming forward from the hips and the rest of the body remains on the floor. In this case, I would think you would want to place your lever (your arms) directly underneath the axis of rotation. does this make any sense?

    slipper12
    Participant
    Post count: 12

    Hi Gabrielle,
    Thanks for your response. I have a few questions in return 🙂

    As I am sure you have seen, some students have such tight hips that when they cross the leg (the one on top) over the bent knee, the sit bone/hip comes up off the floor. Is it better to have these students keep the bottom leg straight then?

    Also, the hand that is grabbing the knee, again, some students have to compromise keeping their spine straight to get this grip. In this case, I tell students that if they have to lean way off to grab the knee, then they should just grab their towel, shorts, etc., or to just let their hand stay extended straight down with the palm facing out, away from the knee. Is this correct? I would love to hear your thoughts. thanks!

    susan

    slipper12
    Participant
    Post count: 12

    Hi Gabrielle,
    As always, thanks for your insight and your responses. I do realize some of my questions are about very knit-picky details, but they are just some of the wonderments I have had from time to time throughout my own practice. In this pose for example, I noticed than my wrists tend to curve up a lot around my chin. I then wondered if maybe my hands/fingers had anything to do with my shoulders and whether or not I was carrying tension there or maybe hunching them up during the breathing exercise. what i have come to understand, through your response to my quesiton and by paying close attention to my body during this exercise, is that i have very stiff and inflexible fingers, and that seems to be the main cause of my wrists curing around.

    anyway, thank you again.

    susan

    slipper12
    Participant
    Post count: 12
    in reply to: proper form #2959

    Thanks Gabrielle!
    First off, I just want to thank you and the others who have contributed to making this website happen. It’s so informative and your knowledge is truly amazing.

    on a different note, I have been practicing for a few years now, but just started teaching about 8 months ago. I notice that the more I teach, the more questions I have. I have already found answers to a lot of my questions on this website, but if you are willing to respond, I still have a few more. I know these questions are not in the appropriate category, but I figured it would be easier for you to answer if you had all the questions together. feel free to copy and paste them as you like.

    1. In Pranayama, is it okay for your wrists to curve up around your jaw?

    2. In Utkatasana, the second part, is it more important to bring your hips down as far as you can (but not letting them drop below parallel) or to be as high up as you can on your toes?

    3. In standing head to knee pose, when you kick do your thumbs also have to be interlaced to the webbing? as hard as i have tried, my thumbs still pull apart. i think it maybe b/c i have really small hands or maybe b/c my grip still isnt strong enough, although i dont have trouble with my grip during any other posture.

    4. In Dhanruasana, why is it important that your wrists are straight?

    5. In Sasangasana, the crown of my head is on the floor and I have my forehead touching my knees, but I have heard some teachers tell students to tuck their chin slightly. if i tuck my chin, I then roll a little onto the back of my head. is this okay, or should i just not tuck my chin?

    6. And last but not least, what you would say are the key elements of the spine twist? at this point in the class most of the students are tired and hot and really dont want to deal with the pose. so instead of overwhelming them with all the details I would rather just give a few important points.

    ok, well that about does it. please please, take your time. i dont want you to feel hurried. i have all the time in the world. thanks again!

Viewing 9 posts - 1 through 9 (of 9 total)